As some of you know, I am a professional flutist and do this nail art thing as my hobby. It’s only fitting that today’s manicure pays homage to the job that pays my bills!
I wanted to create an antique parchment look for the background. It was hard to find exactly the right color, but I opted for this neutral tan called Samoan Sand from OPI to do the job.
Samoan Sand by OPI. It takes a few coats to get it opaque, but it’s a perfect nude shade for your nails.
To stain the “parchment,” I used some alcohol ink made from a BiC Mark It Permanent Marker in Woodsy Brown. To do this technique, color part of a plastic bag with the permanent maker, then take a small brush, dip it in rubbing alcohol, and pick up the marker pigment with the brush. You can then paint with this alcohol ink on your nails.
My attempt at creating a stained look with alcohol ink.
One thing I didn’t like about the color of the marker that I chose was that the brown had more of a red tint to it than I thought. It definitely changed the color of my base shade more than I would have liked, and I probably would have used a different base color had I known that that would happen. This was only one of many mishaps that occurred while I was painting this manicure.
Because of the 3-4 layers of nail polish that were needed to make Samoan Sand opaque, I had to wait quite awhile to let my nails dry enough before I could proceed to stamping my chosen pattern, shown on the plate below.
Perfect for musicians: plate BP-L059 from Born Pretty Store.
Being a flutist, I’m always learning music that sounds bird-like so the image from the top row, 4th from the left appealed to me the most. Using black stamping polish from Ya Qin An, I transferred the image to my nails. I used a clear stamper to make sure the lines of the staves were fairly straight and perpendicular to my nails. I also took care to try to stagger the image to make the design look more unique.
Stamping from a single image from plate BP-L059.
You’ll notice that there’s a suspicious looking burn mark in the middle of one nail. That was not supposed to be there originally. I made a mistake while double stamping the lower part of that nail- the first transfer had thin stave lines, so when I went over the bottom part a second time, I failed to line up part of the image correctly in one place. I tried to lightly rub the area with a cotton swab and acetone, but the black polish started smearing over the nearby areas. I ended up removing a larger section of polish than I had intended to, refilled it with Samoan Sand, and reapplied the alcohol ink, but the remnants of the smudged black polish still formed a ring around the area. I decided that this added to the antique flair and went with it. This just goes to show that sometimes things don’t go according to plan, but you can still roll with the punches.
Speaking of, I had also horribly smudged my pinky nail right before I was going to take the photos for this manicure, so I had to completely redo that nail for these shots as well. Sigh.
In any case, I applied a layer of Ya Qin An top coat to prevent the stamping from getting smudged, then applied a layer of Matte Top Coat from Sephora by OPI to finish up this manicure.
This one’s for the birds!
Here’s to hoping that the next manicure won’t have so many nail fails involved! Happy polishing!